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Posts Tagged ‘Downtempo’

PSY/OPSogist Brings You To The Sleep Kingdom

Posted by Scotio on July 9, 2009

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What can I say about PSY/OPSogist? I mean, he was the first unsigned artist that I reviewed. So, of course his music holds a special place for me. So, to find out that he has released a new album, of course I have to review it. It’s not a question that should even be asked. Kings Of Sleep is the title of his new work. Little did I know, that the work was very conceptualized around the title itself. You have to love concept albums done well, right?

The aptly named “K.O.S. Intro” features various movie soundbites that which talk on the topic of sleep in different perspectives starting with Hypnosis. While the soundbites play, you’re treated to a slow tribal-like musical backdrop that takes you to a dreamy state of the ancient Middle East. The intro flows perfectly into the first full song,”King Of Infinit Space.” That track possesses such a strong sense of IDM/Downtempo brilliance that it’s hard not to compare it to the likes of master knobtwisters Boards Of Canada. Which, in itself is amazing in my book. But, the fact that it was broken into pieces and the pieces reassembled by one man speaks in volumes that has yet to register on any stereo to date. With the drumbeat and the distorted guitar parts playing, you can hear their disconnection with sounding whole, yet that makes it all the more together.

To believe that the whole album would play like some strange attempt at creating a “missing BOC album” would leave you feeling the fool. PSY is more at work this time around, because, remember kiddies, sleeping isn’t a playful situation. What he does do with the precision of someone whom is Obsessive compulsive is have every song bridge into the next. Leaving no room for you feel the need to skip to the next track.

“Chariots Of The Gods” is very badass. The song would be the perfect musical score backdrop for a grand robbery scene. It houses elements of music that you’d find in spaghetti westerns, old school mob movies as well as 70’s high speed car chasing films. Sprinkling in small digital beacons to remind you that you’re not trapped inside of a Tinsel Town Time Machine. The rumbling bass guitar in the song would have any Pulp Fiction fan pulling out the Batman dance. The heavy attack of drums and cymbals that creates an illusion of gunfire is just sensational. If the Gods really bring this sort of noise when they roll through town, it would have all the people staring in awe for the music more than the sight.

On “Unusual Behavior” PSY takes things back to a more Jazz-Influenced Hip-Hop era. Of sorts. Imagine like a completely amped up version of an old A Tribe Called Quest song. I’m speaking on the vibe of the song. The song itself houses far more from Old Jazz and Blues tracks. The drums harken on old black juke joints where everyone really used to “get down with the getting down.” The distorted horns call out more as a sign of distress than a good time happening. Hmm… I guess this would be more Big Band-ish than Hip-Hop, though. Especially when considering the proceeding track, “The Lips Of God.” This song encompasses the complete structure for a sentimental/heartfelt/honest Hip-Hop track. It even has a strained vinyl sound to it. Giving it more of a Golden Era Hip-Hop appeal. The sickest part of the song kicks in around 2:12. PSY/OPSogist pulls out his inner Jay Dilla and basically dares any real emcee to NOT freestyle over it. But, the breakdown only lasts until around 2:39. Short, sweet and to the point, right?

The only flaw that I can actually find in this work would have to be the Untitled hidden track at the end. It’s a long stretch of one of those the sound of rain sleeping aids with sleep-like voices growing in clarity and volume as the song proceeds. It tends to drag on a bit too long. I get the point of it, I love the idea behind it. It’s just stretched too long. A track I absolutely love on this is “Travelers.” The guitars in the song just hold my attention and keeps me at the ready as if something is going to happen at any minute. The wavering machinegun snare hit sounds like a helicopter just teasing your ears for the first portion of the song. The steady ambient sound inside of the song gives it a cold and sterile feeling, where the guitars battle that with their organic beauty(they are acoustics). The soundbites are very well placed and enhances the overall sense of a dream going very wrong.

With Kings Of Sleep, PSY/OPSogist has proven that he is definitely a musician to be reckoned with. The album flows in and out of multiple musical fields. So much so that it’s hard to classify it as anything save for “Lo-Fi Electronic”(Though he personally chose the label of Atmospheric Headphone Music or AHM for short). Otherwise, you’d be there all day adding in labels to this work. It was well thought out, exceptionally executed and has a place for anyone into really dope music. Not to mention, he’s offering it for free as well as a special collector’s edition of only 100 CDs printed. I suggest you grab a piece of history made, and hold onto it for bragging rights. This visionary is going places.

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