OpinionHated

The Hated Opinionated One

Panda Steps In Chocolate And Falls Into The Future

Posted by Scotio on October 17, 2008

Hearing(or reading) the term “Panda Steps In Chocolate” usually leads one to think of a word that starts with P and rhymes with “Boo.” What you won’t think of is something dealing with music. Well, that’s exactly what it is. PSIC is a musical outlet for the young Christian M. Filardo. And, this review is about the EP titled Papers from this youngster made in his basement in Arizona.

Being that it’s under eighteen (18) minutes long, it’s not like you’ll have to strap yourself in and get ready for a lengthy journey. Housing only seven (7) tracks shows that most of these tracks rest easily under the three (3) minute mark. “Rainbows” would have to be the best track of the EP. It’s not that it’s full of layering or intricate and elaborate details. It’s not that the lyrics attack at key parts that pulls at certain strings inside of you. What it is is a simple, silly and playful tune. It’s free of any congested emotions or any required heavy thinking. With Christian whispering along to himself sing the line “Rainbows come from my eyes” repeatedly, it adds to the airy sensation of just being. It’s done catchy enough for it to get stuck in your head and piss off your classmates, co-workers or loved ones with the reiteration of the lyrics.

On “The Plane Flew By,” I can’t help but get the feeling of Tom DeLonge’s silly lyrics when he was in Blink-182 when Christian is singing on the track. The tone is similar, also. Not EXACT, but similar. The thing about this track is it’s hidden potential. With some guitar work and additional instrumentation/layering, there’s a chance that you’d end up hearing this played on you local pop rock station. Easily, out of all the songs, this one holds the title as the one that can become something dynamic when retooled and added upon.

There are a few missteps on the EP, though. The song “Cap-A-Pie” tends to run like a children’s electronic toy keyboard from the early 90’s musically. It’s understandable that the release isn’t supposed to be something superly serious. You learn that just from seeing the moniker of the release. Still, you’d want him to just explore a little more into the playfulness or, even, spend a bit more consideration for the structuring of the musical portion of the release. Another step that he stutters on is the opening song “Costume.” The loss comes in for the fact that it’s a tad hard to distinguish what he’s saying when he’s talking. I understand the dramatic echoed voice effect, but his words end up getting lost in a blender of noise and singing vocals. The song “Sign Language” teeters, for me. I enjoy the lyrics, and the dramatic building, but I just kept urging him to go a little bit further with sound creativity. He has it in him, and I just want him to go the distance and let it out. If it makes a mess, then clean up the mess afterwards.

“Porcupine” has perhaps the best drum track of all the songs. The simple Indie Rock drumming keeps your head nodding well enough. The synth bass is a bit too loud and drowns out some of the other portions of the song. Turning that down would’ve greatly improved the song, but it’s still a nice song. In truth, the thing that pulls me into the song the most is the weird noise that sounds somewhere between a crystal glass being tapped and a bicycle bell being rung chiming along throughout the beat.

All in all, being only 17 years old, Mr. Filardo has a lot of room to grow and explore. Being that he does have such tremendous potential, you can only expect him to grow from here. Surely, if he does continue his musical endeavors, you’ll definitely be hearing this guy’s name being chirpered around in musical conversations a few years down the line. Be it under this moniker, a new one, or even in a full own band.

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